Bono orders a pizza delivery to get back in touch with the Common Man.
In this parody of Samuel Beckett’s “Waiting for Godot,” the script is flipped as Bono, wracked with guilt over his own success and fear of having lost touch with his working class roots, orders a pizza delivery to his castle in the hopes of conversing with the delivery person about living a “real life.” But Bono’s lifelong U2 bandmate, guitarist The Edge, wants no part of his socio-spiritual experiment and rejects any thought of inviting opinions or judgments on his hard-earned rock star life. Both men struggle with the possible hypocrisies in their practices versus their policies in a funny and surprisingly deep comedy that skewers celebrity culture, blind faith, and pretentious theater while searching for the meaning of art in a hyper-capitalist society.
WORLD PREMIERED AT THE 2017 HOLLYWOOD FRINGE FESTIVAL
Hollywood Fringe Festival Best Comedy Nominee
The TVolution.com Best Fringe Comedy Winner
Encore Producers’ Award Winner
“GODOT” MEETS U2 IN AWARD-WINNING COMEDY COMING TO THE WHITEFIRE THEATRE
BONO AND THE EDGE WAITING FOR GODOMINO’S
Written and Directed by Richard Lucas
World premiered at the 2017 Hollywood Fringe Festival
• HFF17 Hollywood Fringe Festival Best Comedy Nominee.
• HFF17 The TVolution Best Comedy Winner.
• HFF17 Encore Producers’ Award Winner.
Bono orders a pizza delivery to get back in touch with the Common Man…
As if Beckett’s absurdist classic, “Waiting for Godot,” wasn’t absurd enough, writer/director Richard Lucas flips the script as U2’s Bono orders a pizza delivery in hopes of getting back in touch with the Common Man. Beckett’s theme of faith against nihilism is brought to life in opposite form as the single-named Bono, a veritable celebrity culture god-on-earth, feels lost and empty in the "trappings” of his own riches and fame. Wracked with guilt and fearing that he’s lost connection with his working-class roots, Bono awaits a pizza delivery in the hopes of conversing with the delivery person about living a “real life.” But his lifelong U2 bandmate, The Edge, wants no part of Bono’s socio-spiritual experiment and rejects any thought of inviting opinions or judgments on his hard-earned rock star life, though, at the same time, he cannot find the will to abandon his truest friend. Both struggle with the possible hypocrisies in their practices versus their policies as well as with some basic life mechanics, such as how to pay for a pizza and what it might cost, in this comedy that skewers celebrity culture, blind faith, and pretentious theater while searching for the meaning of art in a hyper-capitalist society.
From the writer/director, Richard Lucas:
“Curt Collier (actor/The Edge) and I had done a sketch of this in the Serial Killers show at Sacred Fools,” writer/director Lucas explains. “When Serial Killers voted us back for a ’serialized’ second week, we all of a sudden had to go beyond just the premise. The set up of “Waiting for Godot” is socially pretty well known – the rest of the play maybe not so much. But the parodies I enjoy most are ones like “Young Frankenstein” and “Airplane!” that hug the original all the way through, rather than just the premise as a jumping off point, so that was the goal. That said, no one needs to have written a thesis on Godot to enjoy our version. As long as one can imagine the off chance that a celebrity-royal might feel a moment of self-doubt or a pang of regret at having lost touch with reality, it should be fun. When ended up having a tremendously fun run at The Hollywood Fringe because the play is more than a U2 thing, it’s a satire on celebrity culture in general wrapped in a ridiculous 180 degree parody of Godot. Once that sense kicks in and the now-reversed existential struggles of Godot take over, it doesn’t matter that it’s U2. It feels much broader than that, and I think everyone relates to the heavy yet fun to think about questions of art and being and purpose, especially if they can be found in comedy. ”
The Whitefire Theatre
13500 Ventura Blvd., Sherman Oaks, CA 91423 (wheelchair accessible, street parking)
SATURDAYS @ 10PM
September 23rd through October 28th
Tickets $15 on sale now at http://www.Godominos.BrownPaperTickets.com
Press/Industry comps available for every performance.
Watch on Facebook, Instagram, and Twitter via #Godominos hashtag for Discount codes at various times.
“LOVED this show soooo much!!… insanely clever writing paired with an incredible ensemble… Trust me — this is a show you REALLY want to see! It’s a MUST!!!”
“Brilliant takedown of pretentious celebrity culture!… Really fun... a play that said something in a pointed way. All the actors were great.”
“A scathingly funny commentary… If you’re going to see any play at the Fringe, I’d definitely recommend this one!”
“Tightly directed with excellent performances from all… worth seeing a second time.”
“…You WILL have a blast at this show… Stood Godot on its head… Terrific satire. Go see it!”
“Inventive satire… deftly skewers the Bono cult, celebrity culture and the existential woe of Godot in one hour!… This is a great show!”
“Quality cast. Silly and weird. Perfect… Loved the characters and the concept, and the evening… Go/dot!”
“…Brilliant idea, deftly expressed with great staging and acting. A snazzy update of a dusty classic.”
“…Trippy, irreverent, brilliant satire that stands its ridiculous ground the whole way through.”
"Executed perfectly… had me doubled over, and was also very thoughtful... Richard Lucas has created a bizarre new genre of post-modern-absurdism. It’s nothing short of genius.”
“This show rocks!… absurd handling of its already absurd plot to near perfection. Surprisingly poignant and deliciously satirical... Superbly acted, well written and executed with flair and confidence that should be celebrated.”
“The writing was excellent, smart, and hilarious— nailed the tone of Godot but also captured the silliness of the whole situation… A perfect parody with just the right dose of hilarity and heart. World-class acting… You’ll be totally transfixed by this immensely talented cast.”
"A brisk, hilarious, thoughtful production you should definitely add to your 'must-see' list.”
“Brilliant writing, great direction, great casting… Perfect production… top-notch comic flair and rock star lampoon... laughed so hard I thought I was going to injure the people sitting in front of me.”
“…The cast had the audience cracking up throughout the performance! This is a must see, one of the best of the fringe!”
“Incredible merging of Beckett and Bono!…Great performances… We were laughing so hard our faces were wet.”
“Really well-written, well-acted and absolutely hilarious!”
“Rarely do you get the gift of a show so well crafted in this style, with actors fully capable of living it out. Definitely a “must see” in my book!”
REVIEW from FringeReview.co.uk
Beckett Parody Featuring U2 and Pizza Front and Center
In one of the silliest mash-ups to hit the Hollywood Fringe this year, U2’s star frontmen wait desperately for the arrival of a Godomino’s pizza. After a lifetime of living as a rock legend, Bono hopes that meeting an ordinary pizza delivery person will help put him back in touch with the common man. The Edge is just hungry. This is not the first parody of Beckett’s “Waiting For Godot” I’ve ever seen, but it may be the last because I’m not sure it can get any better than this.
Writer and director Richard Lucas plays Bono, a man whose fame and fortune has left him in an existential malaise. As he waits impatiently for his pizza to arrive, he also keeps his bandmate The Edge, played by Curt Collier, from sating his own hunger by eating a turnip. Collier is downright sweet as the childlike and edgeless Edge (whimpering such pitiful lines as “This castle is the only place where I know the pizza is not”) and playing excellent counterpoint to Lucas’s deep-feeling and shallow-thinking Bono. The two make a great pair. Bruno Oliver barnstorms the stage as the nearly-philosophical Domingo, challenging the minds of our heroes with his cryptic logic. Jeff Blumberg as Lucky, Domingo’s unlucky, rope-tethered servant makes able use of his expressive eyes as he spouts his own babbling nonsense.
After an all-too-brief run during “Serial Killers,” Sacred Fools Theater’s on-going late-night theater competition, “Bono and The Edge Waiting For Godomino’s” finally gets the platform in deserves. If you like absurd silliness, treat yourself to this gem of a show. But do not watch this show hungry, otherwise the existential suffering Bono and The Edge endure as they yearn for the pizza’s arrival will be your suffering as well. - ZACHARY BERNSTEIN
REVIEW from NoHoArtsDistrict.com
U2 Fans will love "Bono and the Edge Waiting for Godomino’s"
The Hollywood Fringe award winner has undergone some creative retooling for its latest colorful incarnation. "Bono and the Edge Waiting for Godomino's" pokes fun at the rich and famous without getting mean and is an inventive, clever, cool and classy parody of Samuel Beckett's "Waiting For Godot," featuring an excellent and colorful cast. Richard Lucas is the likeable, pontificating, genius, Bono. Curt Collier is brooding, musical partner/debate partner, The Edge. Bruno Oliver is the larger than life Domingo and Jeff Blumberg is the hilarious Lucky. There are also a few clever music parodies in the mix as well. The creative 60-minute piece was written and directed by Richard Lucas, who dresses sharply as the poetic, self-questioning rock icon and pontificates well and humorously in the role.
The premise is simple, superstars Bono and The Edge decide to order pizza by themselves, delivered to their castle, so that they can get in touch with how the other half lives. I guess this is an uncommon activity for rock stars - I'm not sure. In this story, it’s clearly out of their realm and a major challenge, resulting in an original and entertaining show which I recommend checking out.
Before making its debut in last summer's Hollywood Fringe Festival, the show was first presented years ago in sketch form at a small comedy room on Melrose called The Fake.
The show plays Saturday nights at 10pm and has the potential to become a cult favorite. I wonder if members of U2's inner circle have seen it - an endorsement from them would be great. - HARRISON HELD
"9 out of 10: EXCEPTIONAL SHOW - ..…a great job translating the thoughts and questions from the original into such a modern day scenario...”
REVIEW from GiaOnTheMove.com
Pizza Plus Beckett Equals: Godomino’s!
As a spoof on playwright Samuel Beckett’s tragicomedy, En attendant Godot, Bono and The Edge Waiting For Godomino’s currently at the Whitefire Theatre, is mind-bogglingly spot on. I mean, the writing is pretty perfect. So are the characterizations and everything else.
Beckett’s, Waiting for Godot (GOD-oh), where two characters, Vladimir and Estragon, wait for the appearance of someone named Godot who never arrives, and engage in a variety of discussions while waiting, has been carefully kept as elemental and stripped down to bare metaphors and tropes and music interludes of hit songs on guitar, by writer/director Richard Lucas who also stars as the lead figure, save the fact that we know exactly who the main characters are.
Instead of Vladimir and Estragon, who in the original have no descriptions at all except that one is a bit heavy and that they are hobos, we have universally renowned rock music icon Bono and lifelong U2 band mate, guitarist, The Edge.
And while in Beckett’s two-act play, the two men are anticipating the arrival of someone named Godot, Bono and The Edge likewise stay for a Domino’s Pizza Delivery guy who has yet to come.
Bono orders a pizza delivery to get back in touch with the Common Man, wracked with guilt over his own success and fear of having lost touch with his working class roots. But they’ve never actually had to order a pizza before. It’s always been provided for them everywhere they’ve toured. The action of making a phone call, to a mysterious pizza house, with a number they’re not sure is correct, for a pizza they’re not sure is even good, all the while dealing with hunger pangs they’ve never felt before, all becomes an existential test of patience and irrational rationalization about why waiting is the most satisfaction they can hope for. They speculate on the potential rewards of continuing to wait for the pizza. But can come to no definite conclusions as to why they actually should wait; or forgo the temptation of a turnip The Edge has hidden in his pocket; or why not just leave the house and find the delivery guy who must surely be on his way by now. These guys are hungry. Seriously, when are they going to eat?
With the arrival of Lucky and Domingo, things don’t actually get better. Nobody knows what Lucky is actually supposed to be doing or thinking or what Domingo is actually wanting.
It has come to be understood that the greater part of Godot’s success came down to the fact that it was open to a variety of readings and interpretations and that this was not necessarily a bad thing.
Bono and the Edge, Waiting For Godomino’s is no less intensely vague and specific. Hell if I know what any of this means…except I do…exactly…just not cerebrally…and more nonsensically…in a way that makes perfect sense.
Highly Recommended - TRACEY PALEO
has been a fixture on the L.A. stage for over 25 years. He is known for his roles as James Wicker in Terrence McNally’s It’s Only a Play, Ernie in Neil Simon’s Rumors, Joel in Beau Jest, and multiple roles in the L.A. premiere of Kim Rosenstock's epic comedy, 99 Ways to F*ck a Swan. He most recently had the privilege of serving as Dan Castellaneta's understudy in For Piano and Harpo at the Falcon Theatre in Burbank. On screen, Jeff’s feature films include Dispatch, The Comedian at the Friday, Aguruphobia, and most recently, the critically & scientifically acclaimed The Perfect 46. On TV, Jeff has appeared in several national commercials, but die hard fans of The Drew Carey Show will remember him as the last “Johnson” ever fired by Nigel Wick. JeffBlumberg.com • Twitter @JeffBlumbergTV
> www.JeffBlumberg.com <
has appeared in numerous LA sketch comedy shows; most recently as The Edge in Bono and The Edge Waiting for Godomino’s where the sketch earned champion status as part of Serial Killers at Sacred Fools theater. Curt’s enjoyed other comedic collaborations with Richard, most notably as gloating war winner Abe Lincoln to Richard’s intense, envy fueled John Wilkes Booth. Curt’s also appeared in several national commercials and as a by-the-book paddle boat cop in NBC’s About a Boy.
Feeling great pride to have Godomino’s as his first theater producing venture; it’s been a marvelous and challenging endeavor to portray The Edge, and Curt relishes the opportunity to explore the next level at the 2017 Fringe Festival! Twitter @Curt_Collier • IG @curtcollier
is an award-winning actor and storyteller whose album, Resigntown, U.S.A. and Other Stories is available on iTunes. He’s performed in L.A.’s premier storytelling shows, including the L.A. Storytelling Festival. He’s also performed two solo shows invited to the Comedy Central Stage. He won The Other Network’s Comedy Award for his analysis of an L.A. sportscaster’s penchant for wearing double-breasted suits. At Fringe ‘15, he played Jake in the Encore Producer’s Award-winning Only the Moon Howls. Richard also recently portrayed German theoretical physicist Werner Heisenberg in Michael Frayn’s Copenhagen at The Attic. On TV, you may have seen him as a very, very concerned detective in a couple murder shows. Richard’s also written a memoir about his tormented life living next to a barking Yorkshire Terrier who eventually won his heart called The Dog Log. Twitter @Richard_Lucas • IG @RLucaspicts
> www.RichardLucasComedy.com <
is an award-winning stage and screen actor who has gone all in on L.A.'s small theater scene. His artistic home is Sacred Fools Theater where he is Board Prez., and also recently produced A Gulag Mouse and Rose and the Rime. He's performed often on Fool's stages, including Occupation, Do Androids Dream of Electric Sheep, The Coarse Acting Show, Dracula, A Musical Nightmare, Timon of Athens, Serial Killers, Crime Scene and The Box: Los Angeles. Around L.A. he’s also worked with I.C.T., Whitefire, Zoo District and all 3 years of the innovative SCI-FEST One-Act Play Festivals. Outside L.A. he performed in Seattle, Chicago, Edinburgh and with the Utah and Wisconsin Shakespeare Festivals. On TV he bounces between comedy (Review, The Office, Modern Family, Party Down, etc.) and drama (Scandal, Castle, House, Mad Men, Criminal Minds, etc.). And then are indie films, a ridiculous number of shorts, and, well, if you really want the entire run-down go check out www.BrunoOliver.com. Twitter & IG @BrunoOliverAct
> www.BrunoOliver.com <
Jeff Blumberg and Bruno Oliver
REVIEW from TheTVolution.com
WINNER: Best Fringe Comedy
Is “Bono and the Edge: Waiting for Godomino’s” Time Well Spent?
Bono and the Edge Waiting for Godomino’s by writer/director Richard Lucas approaches being the ultimate Fringe offering. Like the legendary shows Beyond the Fringe, The Mighty Boosh, Bing Hitler, Lucas has served up a dish both cerebral and madcap and pulls it off brilliantly.
The recipe is rather basic: Take Samuel Beckett’s absurdist masterpiece Waiting for Godot and make it even more absurd by transposing the characters of Estragon and Vladimir with Bono and David Evans (aka The Edge) of the iconic Irish rock band U2.
Makes perfect sense to me.
With Lucas doing such a spot-on Bono that the Irish rocker could shave by him, and Curt Collier as The Edge/Go-Go, the evening is a wickedly amusing mix of references to the Beckett play and the lifestyle of the rich and famous. Where the absurdity ends or begins is anyone’s guess.
With Jeff Blumberg as Lucky and Bruno Oliver as Domingo, (their Malibu neighbors filling out the solid cast), Lucas’ two “tramps” are not waiting for existentialism, laden with scriptural allusions throwing a Jungian shadow as Godot: They’re waiting for a pizza.
Well, okay, pizza can be kinda existential.
What is delivered is remarkably silly and entertaining fun.
For being so tasty: a PLATINUM MEDAL. - ERNEST KEARNEY